Mad Hatteress:
I can't speak truthfully of my country but it's fine and dandy to flame me. OK.
No, that isn’t what I said: asking you to be reasonable isn’t flaming you.
You are just being advised (I thought that that might be enough, without having to moderate you and issue a warning) that making sweeping statements in which you claim that an average American (one of a population of 304,059,724, as of July 2008) has no taste, is pushing dangerously close to flaming upward of 300m people.
You are far from the only American on these forums, and they may or may not share your tastes, but that is no reason to insult them for it, or demean them.
cigee:
I don't think of Tintin belonging to a time in the past, but in present day.
A good insight! As a fellow old codger, who still thinks of
Picaros as the “new†book, finds the notion of Haddock having a first name to be quite novel, and loves the “futuristic†round white TV in Marlinspike, I’m quite sure that had Hergé lived and worked into his second century, he would have added any and every technological advance he could have. I can just see a thrilling chase on jet-skis, micro-lights and such, or the comedy potential of Rock Bottom Insurance spamming the Captain’s e-mail address!
But I can see that there is a vision of Tintin’s world as being sedans with running-boards and headlights on the mud-guards, black bakelite ’phones and prop driven ’planes, because they span they most productive years of Hergé’s work, and they are now indeed period pieces.