Richard UK Correspondent
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#21 · Posted: 2 Jun 2005 23:17
The artistic integrity of the people involved in the creation of fanfictions was never in question. I think it's great that books, films etc. can inspire other's to create works in homage to the original authors. However, the problem with the creation of fanfictions, with regard to people selling them, it's usually nothing to do with the original creators. I think the best way to illustrate this is with an example of a fairly well-known case, Rodier's Tintin and Alph-Art.
If you see the colour editions of the book for sale on the Internet occasionally, especially the ones with Tintin and Haddock stood on the cliff, they're knock-offs of the original. Rodier privately published his black and white edition, and someone took the colour pages - themselves a tribute to both Hergé and Rodier, undertaken as a group project - printed them out, bound them and now sells them for ridiculous amounts. I think that's been discussed elsewhere in this forum before.
The people that are selling these, I imagine, have never even spoken to the original author. They simply took the pages from the Internet and sold them for personal gain. That's not a slight on Rodier's account - himself now an accomplished comic strip artist - since he created the book for free. It was distributed on the Internet by a now-defunct group of Tintinologists and their website, and because of the actions of disreputable people has now had their site closed down and security tightened on their group.
Anyway, to bring this lengthy ramble back on-topic, if some Tintin fanfictions were published on the site, they are open to the risk of being taken by some 'entrepreneur' (or 'thief') and being sold as a collection. It's been done before - Rodier's Alph-Art, his portfolio of characters, Christmas cards and general images, Harry Edwood's tribute comic and magazine covers - and no doubt it'll happen again. These artists, who clearly have talent and had no aim other than to spread their work, became the victim of plagiarism, despite their initial intentions of distributing their work for free.
Sorry, I realise I've rambled an awful lot there, but I hope I've illustrated the point. Basically, the main problem is you can't protect your work once it's on the internet. Tintin's a money-spinner not only for Moulinsart but for private sellers (just do a quick search on eBay !), and if someone can make money out of artists' and authors' tributes to Tintin, rest assured - they will.
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