Are you meaning the grey shadows cast by people and vehicles etc in The Crab with the Golden Claws? These grey-wash type shadows feature particular prominently in the Moroccan port scenes, towards the latter stages of the book. I don't think these type of grey, realistic shadows feature in any of the other books (where either jet black shadows or, more commonly, no shadows at all are the stylistic rule), though I'm not entirely certain about that.
But in any case, of the other "not-quite-clear-line" shading techniques that Hergé occasionally uses - such as hatching, chiaroscuro or gradiated colour shading - I can't think of any that only features in one book. So the use of grey shadows in Crab is my best guess! |