number1fan:
Though disgusting as that is it is a part of our dark history.We can now look back on the ignorance and be thankful that its not like this any more.
But for many people racism
isn’t in the past, in some vague period - it’s now, and present, pernicious, and if recent statistics are accurate, growing in this country and elsewhere…
number1fan:
I really didn't see anything offensive because I understand history and history around the time.
This again might be because you and many others of us have the luxury of not being directly the subject of racism…?
number1fan:
It all so showed how white people were exploiting them.Tintin helps them.
That’s missing the point, I feel - the “helpâ€Â that is offered in the books is paternalistic and patronizing: it suggests that the Congolese are not capable of helping themselves, and that only by the actions of the plucky white boy is “order†restored, with the white hierarchy still in place.
number1fan:
The world should of maybe woken up when this come out and the sort of stuff being refereed to in this book are still happening.
But the book doesn’t offer critique of the status quo - it doesn’t highlight problems and criticize them, it just goes along with a “solutionâ€Â which perpetuates the injustice. So at this moment in time, it’s still just part of the problem: casual racism and inappropriate depictions of an oppressed people.
number1fan:
Herge wasn't to keen on the story as the story comes to an Anti Climax end
That’s almost too depressing for words: that Hergé brought the story to an end just because he didn’t care for it is about as harsh an indictment of it as can be given.
number1fan:
Herge is white and he is portraying the white American capitalist in a bad light.
That’s not a reasonable argument for pardoning the fact that his depiction of Congolese people is offensive to many, and especially to black people, Congolese or not. If someone punched you, they couldn’t use the fact that they’d punched someone else as well as a defence, could they?