Oof. Just because Tintin's world is in the 30s/40s doesn't means that it's an "alternate" world, by any means; part of Tintin's charm as a series was how Hergé set each one in whatever era he was writing them in; we get a very nice collection of period pieces.
And Tintin doesn't have any humor? That's laughably un-researched, pun intended!
What's also laughable is how the writer of the article complains that there are no central female characters as though it was a bad thing. I'm a woman; as a girl, I grew up with Tintin and loved watching him and his companions going on adventures. I always prefer reading about male friendships anyway--fire-forged brothers to the end (and one thing I really admire about Hergé was his strong stance on anti-romance; there's far too much mushy stuff out there--I'm trying to write a novel, and I know that Hergé is definitely one of my main influences in my wanting to focus on male friendships. Well, that, and surreal dream sequences!).
And as for Tintin's characterization, well, that's how Hergé wanted him to be portrayed--which is why he has a colorful cast of characters to interact with. And I find that to be part of the charm of the series, too.
cigee:
no characters that speak in an annoying, high-pitched voice!
Actually, this is a valid point; I'm a very auditory-oriented person, and those squeaky Chipmunk voices really do grate on my sensitive ears. And I'm sure I'm not the only one.