Greatsnake's point is particularly interesting, given how Snowy evolves to more and more realistically dog-like through the albums.
I wasn't sure how to interpret the thread's question though. My answers (relevant or not) would be :
- The reason for Haddock's arrival in Black Gold. Awesomely unexplained.
- The absence of women and sentimentalism. I've always been very much like that Princess Bride kid, closing my eyes during the kisses as a child, and still complaining today about films getting boring as soon as love interests enter the plot. Tintin is pure adventures for kids, with none of this "falling in love" nonsense. Great.
- Something I forgot (arrgh ask me again later).
- Calculus's hearing. Seriously. I almost made a thread about it, but what is really fantastic about this lack, is that most of times, instead of being an obstacle, it propels the discussions forward: Calculus doesn't answer the question, but gives further informations instead ("Are you all right?" "Take all night? Nearly as long. In a couple of hours my pills will take effect." or "Isn't he the one with the Rascar Capac mummy in his possession ?" "Oh no, on the contrary, he's the most kind. I'll introduce you to him if you like."). His hearing impairment is most often the excuse for dialogues - or sometimes plot - shortcuts. Especially convenient when the answer is implied in the question, and a correct answer would be redundant. Hergé moves directly on to the next (unasked) question. It's a real art that Hergé masterizes perfectly. Doing this, he turns Calculus's deafness into a superpower. Well, at least, an asset, pace-wise. And we hardly notice it. It's genius.
- Haddock's pupils. His eyes are two hollow circles. Everybody else's eyes are two dots. I'm not sure why, but it's a graphic aspect of Haddock that I adore. |