BlackIsland:
it has to do with pacing and the sequences of the books.
But the pacing on the page, and the pacing on screen have to be different: Hergé recognized this, and deemed Spielberg the only man he thought suitable to the task. You think that Hergé was wrong in this?
BlackIsland:
Herge became and expert in capturing things at the right time, right frame, and illustrated all of it in the right way.
And Spielberg has experience with the cinematic equivalents…
BlackIsland:
Remember the 90’s cartoon was way off as you have mentioned. Even the Temple of the Sun cartoon was convoluted.
I’ve always thought the Ellipse-Nelvana series was pretty spot on, withing the constraints of a TV animation budget and the need to stay within broadcasting standards; the
Prisoners cinema film is indeed convoluted, but as we have seen from discussions here (such as
this one), the album’s plot doesn’t stand up to rigorous dissection when you look at it.
BlackIsland:
If Herge was still around you’d have to pay him a lot to make the changes to his stories to fit the screen.
When Hergé was alive, he doesn’t seem to have wanted to be involved in adapting his characters, either in adaptations or new stories, so I have no reason to think that this would have changed.
BlackIsland:
If you have read anything you will also know that he was particular about his work. What this movie has done so far that I can see, has made a mess of the books.
But again no more or less so than the adaptations which took place in his life time; there also is little to say that they have made a mess of anything as yet; we should always be prepared to accept that someone could do something well, without it being to our taste (the latest series of Doctor Who is a case in point for me: I found it to be truly awful, and thought Neil Gaiman’s episode the worst that I had seen in forty-something years of watching the series; however, the viewing figures and audience appreciation indices (the gauge of how much a programme was enjoyed) show that I am probably in a minority, and that the makers must be catering to an appreciative audience).
BlackIsland:
You have scenes from three books in here?? It does not mean it won’t be good , but will piss off the hard core fans in the way the X-Men films did for that stronghold of fans.
Again, I’d place myself somewhere near the hardcore end of the spectrum, and I have no difficulty in maintaining a positive attitude towards the project (leastways until I actually see the thing, and not a sequence of shots edited together out of sequence and context). I liked the
X-Men comics, from the days when Beast wasn’t blue and hairy until the Eighties when I left home and stopped reading my brother’s comics, and whilst the first one was a bit draggy, the series got into it’s stride, and I’ve liked the others (even
Wolverine). I loved the
Iron Man movie, and thought that that both updated the material, and remained very faithful to the spirit of that series. Was it a blow-for-blow, rivet-for-rivet recreation of the comics? No. Did I shed a tear? Not a one. It wove the elements of several different takes in the comics together successfully. Will people have complained? I’m sure they did: but they still have the comics, if they don’t like what’s on screen, just like I can watch episodes of Doctor Who from the series I liked on DVD.