This is entirely
speculative, but I think it might warrant discussion... I've posted this over on the Facebook page
as well, where you can see the Dulac image about which I am writing.
I've written before about the long shadow cast over The Seven Crystal Balls
by the presence of Rascar Capac, and my surprise that he appears in only eight frames of the story, three as a "real" mummy, and five during Tintin's nightmare, and in one of those Rascar Capac is only just peeping over the window-sill.
He's a very memorable "character", and contributes a lot to the story.
Now, I know that there is a real-world model for the mummy in the Cinquantenaire Museum, and that this was used in the researches for this adventure undertaken for Hergé by E.P. Jacobs.
But I recently came across an illustration by Edmund Dulac for the Hans Andersen story The Nightingale
, which shows Death, perched on the bed of the Emperor of China, being moved by the song of the titular bird, and was struck by the many similarities between Dulac's spectral figure, and the visit to Tintin's bedroom by the dead Inca.
Both are grey figure, emaciated and ghastly; both are dressed in elaborate jeweled regalia; and both scenes are set at night, in a bed-chamber.
It may just be coincidence, or did Hergé (or even Jacobs) recall the scene from childhood? I think the English version was published in 1911, which would be appropriate to Hergé's age, but was a French version published, and would he have come across it?
It's quite a haunting image, so I think it *might* be possible that he knew it.
Any thoughts or comments?