Many people seem to like anything exotic, and the Star of David was certainly something not in their truly known worlds (true, people might have often interacted with Jews, but they all too frequently developed prejudices against them because most Europeans didn't make much of an effort to learn more about Judaism and instead settled on mostly anti-Semitic secondary reports).
Exoticism is pervasive throughout the Tintin books (foreign locations) and in society as a whole (look how popular hookahs are becoming among western college students today, or how Asians are trying to imitate Occidental pop culture... I'm Chinese-American - "To be precise" an A.B.C.: American-Born Chinese :) - who grew up in a more traditional household, so I saw developments in both the Eastern and Western worlds).
Yes, some Hergé-drawn images suggest or reflect anti-Semitic attitudes coming either from him or from society, but I don't think those views play out here, especially since The Seven Crystal Balls was made after WWII, when anti-Semitism was far less appropriate in Western Europe than it was before the war. I think that Hergé wanted something exotic because it was a magic show, which naturally deals with the out-of-world, mystical realm.
Why is Tibetan, not Chinese, Buddhism more widely-embraced among Westerners? I heard that Tibetan Buddhism is by far more mystical than Chinese Buddhism, which is merely not materialist... |