Snowy Member
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#33 · Posted: 18 Jun 2005 01:07
Ah, Tintin and the Blue Lotus! I just re-read this book for the umpteenth time the night before last! It's one of my particular favourites. I am astonished by how much Herge manages to squeeze into 62 pages! He crafts a tale that encapsulates the struggles of a small Chinese family within a tangible historical national crisis allowing the reader of any generation to not only relate but be transported to that time.
In considering what album Spielburg might pick for his latest movie I thought that this, for these sheer epic proportions, would make a great choice. I honestly can't see it happening however, for the sensitive political realities that exist in the period the story is set during are unfortunately still obviously prevalent to some extent for many people in the present day.
As with many of the early Tintin adventures, we see the protagonist literally walk us through the story for the most part (until he meets Chang) by himself. I love this aspect of the story! I don't find following Tintin trudge through dimly lantern lit back alleys as he cogitates in the pouring rain dull in the slightest! There might not be Haddock to provide comic relief, or at least an ear to our hero, but in some ways, I feel that I (as the reader!) am the ear for him there in China, and that I am experiencing everything too!
Tintin's character can also be seen to adopt more of a comical role and even express more character in general than is seen in later albums with the absense of anyone else in this story to completely fill that position. It's great to see him laugh, flare up in anger, cry, or just grin in mirth as he drinks a bowl of soup after flooring Mitsuhirato.
But beyond Mitsuhirato, the dangers he faces are (or at least were for many people) very real and for that part I feel, a lot more scary than in most of his other adventures. The fact that he pulls through and wins the day is not tarnished in the outrageous, however - as is kindof the case with Tintin in America. Tintin, Chang and Wang and family may be safe at the end, but the rest of the world clearly isn't. Herge skillfully sets the scene for the real events that will lead up to the second world war in asia with a few panels of history just before he closes the story for its principle characters.
Who knows what he must have been thinking at the time he finished this book? It is evident that things were just beginning to heat up at that time. I guess that in such a period of uncertainty he must have been pretty scared sometimes. One thing is for sure, after the Blue Lotus, Herge never touched real events directly again. Sure he alluded to them with analogous situations, but this album sees Tintin put into a real world crisis for the last time... and if at least for that, it's a very special part of the collection, I think!
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Incidentally, I wonder if the Japanese delegate to the League of Nations who is so unflatteringly portrayed in some of the final panels can be added as a real-life figure to Jock123's new list of cameo appearances...
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[Edited by Moderator. Combined 2 consecutive posts.]
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